Remains of the day: A deteriorating archway built with red bricks.

Initial steps: Clay is kneaded for a smooth texture before being shaped into a particular piece of pottery.

Early stages: Formed clay is left out to dry. This is one of the initial phases of pottery.

Foundations: A worker lays the base patterns on a piece of pottery. Detailed patterns are added later.

On display: Numerous works of kaashi (pottery) can be found on the walls of these tombs around old Haala.

Resting place: Beautiful tile work and carved stones characterise the tombs around old Haala area.

Writing on the wall: Detailed calligraphy is found throughout the blue tile work (kaashi) at Shah Abdul Latif Bhittai's tomb in Bhit Shah.

Elevated beauty: Colourful tile work (kaashi) covers the ceiling of Shah Abdul Latif Bhittai's tomb in Bhit Shah.

The art of hand-loomed fabric: Soosi is an indigenous Sindhi handicraft.

Metamorphosis: A mix of patterns is transferred before the actual embroidery process, turning a piece of cloth into a beautiful handicraft.

Tools of the trade: Tools and stencils used for transferring patterns for the embroidery of a Sindhi topi.

Fine work: The intricate embroidery and crochet work on a typical Sindhi topi (cap).

Ready for the sale: Finished Sindhi caps (topi).

Labour of love: A worker washes ajrak, the famous blockprinted cloth of Sindh, at a water stream.

Final product: A piece of ajrak goes through many steps and processes before it looks like this.

A symbol of Sindhi culture: Intricate ajrak designs are available in diverse colours and patterns.